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OSC 1 – Monolit’s first oscillator can produce a blend of four different waveforms: Pulse, triangle, sawtooth and noise. Repeat: Sets the number of times each note is repeated before the arpeggiator moves on to the next note. Gate: Sets the duration of the arpeggiator’s notes, as a proportion of the arpeggiator’s rate setting. When set to “1”, notes that are one octave higher than the triggered notes are added to the arpeggio higher settings add further octaves. When set to “0”, only the triggered notes will be played. Octave: Sets the number of additional octaves that the arpeggiator should cover. RANDOM: Notes are played in a random order.UP/DOWN: Notes are played in succession, from lowest to highest, and then back to lowest.DOWN: Notes are played in pitch order, from highest to lowest.UP: Notes are played in pitch order, from lowest to highest.NORMAL: Notes are played in the order in which they were triggered.Mode: Determines the pattern of notes that the arpeggiator will produce. In SYNC and BEAT modes, the rate is a factor of the host DAW’s beat length.

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In FREE mode, the rate is set in milliseconds.

BEAT synchronises the arpeggiator to the host DAWs beat and synchronises the arpeggiator’s pattern position to the host’s bar-and-beat location.

SYNC synchronises the arpeggiator to the host DAW’s beat.

FREE uses an internal timer that is set within the instrument.

Mode: Sets the sync mode of the arpeggiator. State: Enables or disables the arpeggiator Pressure: Responds to MIDI Aftertouch messages, produced by changing the pressure being applied to the key of a compatible keyboard or controller.ĭestination Selection Menus: Use the destination selection menus listed under each modulation source name to choose the synth parameter that should receive the controller messages.Īmount Dials: Scales the strength of the controller message being routed to a synth parameter. In BLEASS Monolit, Slide’s behaviour is set to relative. Slide: Responds to note-specific CC-74 messages received from MPE-compatible controllers. Wheel: Responds to standard MIDI modulation wheel messages (MIDI CC 1) Each controller source can be routed to two destinations.

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MODULATION – Route incoming Mod Wheel, Slide and Pressure messages to Monolit’s parameters. Target: Choose whether to apply the unison algorithm to both oscillators, or only one or other of them. The detuning is spread amongst the voices, with a setting of 100% meaning that the most-detuned voice(s) will be 1 semitone above and/or below the played note. Voices: Sets the number of voice duplicates to create, from 0 to 7.ĭetune: Sets the amount of detuning to apply to the unison voices. With detuning applied, this creates a thicker, fuller sound. UNISON – BLEASS Monolit includes a Unison algorithm that creates up-to seven duplicates of synth’s voice. Glide: Sets the time taken for the synth’s pitch to ramp from the last-played note to the currently-played note. Pitch Bend: Determines the maximum pitch bend range, in semitones. A setting of 100% means the global tuning will oscillate between -1 semitone and +1 semitone. Vibrato: Sets the rate, in milliseconds, of the global pitch vibratoĪmount: Sets the strength of the global pitch vibrato.

Retrig: Enables or disables the retriggering of ADSR envelopes when playing legato VOICE – Provides access to basic voicing parametersĭetune: Sets a master detuning that affects the entire synth, in the range ☐.5 semitones. Meter: Visualises the current peak output level of the instrument

OUTPUT – Controls and visualises the instrument’s output level. And of course, as with all BLEASS products, Monolit comes with a library of factory presets packed with a wide variety of different sounds, with additional sound packs also available produced by BLEASS’ network of talented sound designers. If you need some extra sonic inspiration, BLEASS Monolit includes a dice button that generates new values for all the synth’s settings, but does so in a way that’s carefully tuned to create useable yet unique sounds. The instrument’s interface is super-straightforward and easy to use, with intuitive graphic controls and long-throw faders that feel tactile and precise whether you are using touch screen or mouse. And thanks to Monolit’s super-efficient low-CPU synth engine, even the humblest of devices will have no problem running many instances of this fabulous-sounding synth.

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Just download to your desktop, iPhone or iPad, and immediately start designing and playing original and inspirational sounds. The result is a compact, efficient, mono-synth tailor-made for creating thunderous basses, searing leads, sparkling arpeggios and other-worldly SFX. BLEASS Monolit combines the rich analogue sound and intuitive ease-of-use of BLEASS Alpha with the creative expressiveness of BLEASS Omega.

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